Reader's Comments re Beginner's Guide to Salsa

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December 8, 2002 -- The Guide to Salsa for Beginners

1.5.4) I already have dance background, will I learn quicker?

I totally agree with this. I have been learning (and teaching now) ballet since I was 5 and that would mean 23 years of ballet grounding. Learning salsa was relatively easy for me but tough for my teacher (male) - he had a tough time controlling me coz I kept leading him back!

I've completed my advance level (sequences)in 16 private lessons but now have to unlearn all the steps and relearn with a new teacher (salsa specialist) whose main focus for me now is rhythm and style - apparently I have none !! :( or rather, not enough... :)

I did not learn any freestyle / feel of rhythm from my first teacher (not really qualified) who only taught sequences (variations) without paying much attention to those areas.

Maybe you could write an article on the fundamental importance of strong basic footwork before any attempts in the sequences. This is a hard lesson for me but not all is lost though. I just have to be a bit more patient. Hope this feedback helps.... Fiona


December 8, 2002 -- The Guide to Salsa for Beginners

1.4.4) Male or Female instructor?

I think a good teacher suppose to teach both Male and Female in a equal quality even Styling and Spin.

1.4.4) Male or Female instructor?
(give feedback)

Whether you prefer a male or female teacher is really up to you. A female instructor may have more insight for females, and a male instructor may have better insight for guys, but this is not always the case. A good instructor should understand both roles, and be able to teach both guys and girls equally well. For specific things like styling, you may want to choose an instructor of the same sex; but for everything else, it shouldn't matter (especially at the beginner level) -- Gupson Pierre


December 5, 2002 -- Hmm, if this shows up twice, blame Yahoo!

The Beginner's Guide to Salsa -- Your reference articles on Dance Instruction, and its various subsections, were very well done. You coverage of many questions is thorough and informative. I recommend that all Beginners (and those beyond beginning skill level) should read it. I teach and I am often amazed at the requests that I hear from people who are complete Beginners (which I define as: never set foot on a dance floor, never took any lessons, don't have knowledge of any basics or even the differences between the dances, don't recognize differences in the rhythm and tempo of different forms of music).

I've had calls from people who "want to have some cool moves" for their wedding reception next month. They are usually surprised when I tell them to just take classes consistently and to practice, and no, at their novice level, they won't have "cool moves" thirty days
from now. I am always surprised when beginners and advanced beginners ask me for styling classes. That I don't do (although there seem to be those will encourage beginners into styling class.) Beginners need to begin at the beginning and styling is body work that come with advanced skills and knowledge.

Another issue that the articles touch upon is whether familiarity and skill in one dance form will automatically transfer to Latin dancing. Well, that's not necessarily true! And, sometimes skill in one dance form can actually be a hindrance (mentally) to relaxing and
opening up to another.

I think that many people are influenced by the ease that they see accomplished dancers exhibit on the dance floor. Perhaps it's our societal leaning toward instant gratification -- it looks so easy, I want it now, too! In Chicago, there are many dancers -- men and women -- whom I really enjoy watching. They all have a trait in common: they worked from the beginning to build a foundation and they built their dance skills and talents brick by brick. We have many types of accomplished dancers in Chicago, including those who are into performing and and/or contests and those who are talented social dancers who are not interested in performing or contests.

So, to Beginners and beyond, I would say, "Practice, build your skills, progress at your own rate -- not at the rate that someone else is at -- and have a good time while you're doing it."

salsera60616 - Chicago

December 5, 2002 --

Yes, that is an excellent article.

I especially liked the section on the four zones of learning salsa. I continue to cycle through them. -- LeftonThree, Chicago


November 2, 2001

1.1.1) Organized Classes

I have seen a lot of 4 week classes also. One thing you could add to this is what should be learned in an organized BASIC/INTRODUCTION class.

Basic salsa step (stressing on being smooth, avoiding head bop)
Back step (cumbia style)
Side step
Basic right turn (man leading with left/right hand)
Basic partnering
Cross Body Lead (open and closed)

I believe these are VERY important. These are the things that serve as the foundation to learning how to dance salsa. These steps/moves are used ALL the time. It is imperative that instructors helps the students to learn these in the first 2-3 hrs of an organized class. Other moves stem from these few steps/moves - John

November 2, 2001 -- Response from Ziv to John...

Hi John,

Thanks for the feedback. Adding syllabus (moves) per level, even at beginner level will be tricky, since different instructors may have completely different syllabus, or names for the moves.

TOsalsa is not here to decide what should be taught in a beginners class. We're just here to help students through the process. The content could be different from instructor to instructor.

Thanks, - Ziv.


October 23, 2001

1.6.3) Know the music


In all this dance talk, I think many of us are missing the point. It's great that people want to train their bodies and learn complicated dance patterns but it means nothing and it will not help your enjoyment of this craft if you do not first understand the sounds that make the dance. Dance is an interpretation of sound through the usage of the body's movement to represent the elements of music. In the evolution of salsa the music came first not the dance techniques. If you want to get good at salsa you have to first know and learn to love and appreciate salsa the music, not salsa the dance.

Dance is a physical and psychological expression of music. It is one's personal response to sound. The deeper you feel towards the music the more enjoyment you get out of the dance. This is true irrespective of one's skill level. Your appreciation of the sound is the fuel that fires your soul once you're caught up in the passion of the dance. I have seen two people dance the most sensual basic salsa and have it look as good as a complicated pattern executed by robotic dancers. Suffice to say that one way of dancing is not better than the other, but if you want your dance to look good and feel great you have to know the music. Without the music we are nothing and we might as well all go to raves and start listening to house, and electronica. There is no dance scene out there that compares to salsa because this music has no comparison. Salsa music is responsible for the success of Latin clubs here in Toronto and it is through our dance ambassadors that we, the uneducated watchers, learn to love the music from the magic that their bodies produce. The dancers are nothing without the music, and on the flip side the music will always be great even without the best dancers to interpret it for us.

With that said if you want to be great you have to learn to love salsa the music. And maybe if you get touched with some of that inspiration that drove many of the great musicians to compose those godly sounds that we love, maybe then you will discover the artist in you too. So get out there and buy some music already, and if you don't love the music then I guess you're missing the point -- Erik


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