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Dear
Readers, it was almost unbelieavable to receive two emails commenting
about the subject of dance styles; and I knew this could spark a "debate"
about how salsa should be danced. My goodness, this debate is actually going into Year 2... |
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July 3, 2004- Carlos' response to Mechy |
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July 26, 2004- Mechy's response to Carlos |
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August 9, 2004- Carlos' response to Mechy |
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February 18, 2005 - Roman's response |
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The Feedback.... July
3, 2004-- Response to Mechy July 26, 2004-- Response to Carlos from Mechy What are the legendary Mexican salsa bands? The only musician who mentioned you was Cuban. Of course, many Cuban musicians went to Mexico, because at that time Mexico was the Hollywood of Latin America and sheer size of the potential market attacted many musicians. Many Latin music musicians live in other countries for one reason or another does that mean these countries become hotbeds for their music. Of course not. I lived in Mexico for a few years and I see how hard it is for salsa nightclubs to survive in Mexico. Salsa may be more popular in Mexico DF, but outside the capital, salsa is not very popular and people don't know how to dance to it. Even with that said, I think LA has more strictly salsa nightclubs than Mexico City. Most of the people who go to these salsa clubs in Mexico, DF are not Mexicans, mostly Cubans, South Americans or North Americans. There is no Mexican style of dancing salsa, because there is no independent salsa culture in Mexico. All of the Mexican salsa dancers in the USA, learned to dance salsa in the USA, not Mexico. I didn't say Mexico doesn't have great food or culture or even music. It is wonderful country full of wonderful people and customs -- Mechy August 9, 2004-- Carlos response to Mechy Dear Mechy: Do you think that artists like Perez Prado, and Celia Cruz, never played music while there were in Mexico?, and don’t you think that they influenced Mexican bands, the same way they were influenced by Mexican music?, if not, you should listen “son Jarocho” by Perez Prado. Even now, many salsa artists like Marc Anthony and Fruko y sus Tesos are influenced by Mexican music, check who is the compositor of songs like: ”hasta que te conoci” and “ la diferencia”, and you figure out what kind music they listen. I lived in Mexico for 24 years, and I grew up listening mambo bands like LA SONORA SANTANERA. Salsa is not usually played in the must popular clubs in cities like Cancun or Puerto Vallarta, but is played in the streets, in parties called “bailes”, and “cabarets” and there are huge in all the Country, even in the smallest village salsa, cumbia and merengue, is played, and is know more like ”musica tropical”. I am from Puebla Mexico, and the biggest night club is called “portos tropical” and people dance salsa, cumbia, merengue, and quebradita till 9:0 a.m. I have traveled all the Country, and I can tell you that there are “bailes” “and fiestas sonideras” every where. People in Mexico do not care if they are dancing salsa the ”Cuban way”, because dance lessons are not popular, one of the reasons is because you learn how to dance by watching people in weddings and parties. And people in Mexico listen and dance all kinds of music, and I do not see a reason why people should dance “strictly salsa” and listen just salsa. I think the more types of music and dances you learn, the more educated and better dancer you are, this is how Salsa music and dance was invented in the first place, by mixing different styles of music; or you think that one day, a meteorite hit a Cuban in the head, and he magically invented Salsa, and therefore people all over the world should dance that way, if that was the case, people from Brazil should play soccer the “English way” because the soccer was invented in England, or people from South America should not Play Base ball because it was invented in USA and they do not have a big League like in the States. Or Tito Puente Should not have played Mambo because he learned how to play in New York, not in Puerto Rico. I guess that you did not like the movie “Dirty Dancing, Havana Nights” where the principal character is played by a Mexican actor (I am kidding) I did not liked the movie either. Carlos February 18, 2005 -- North American Salsa Dancing versus Cuban or Latin-style Of course Mexico has always had presence in Salsa music and dancing. Mechy was correct in pointing out that a lot of salsa bands moved to Mexico. Caribbean islands are not exactly growth markets. You have to understand that Mexico a very big country. Yes the music styles are very regional. The music you listen to in Sinaloa is very different than what you listen to in the Yucatan which is different to what you listen to on the Riviera. Mexico is well secure in its identity that it does not have to own a music style as badly as Cuba or Puerto Rico. Mexico is a very well blended country that can dance everything from salsa, to polka, to tango, to American rock. So as to the comment of naming some performers, how about Poncho Sanchez the conguero. Or how about Carlos Santana. All of his music is Afro-Latin, not rock. You can dance any of his songs to a Cha-Cha. Songs like Smooth, or Corazon Espinado are Cha-Cha's. Some of the very best salsa clubs, salsa bands, and salsa dancers I have ever seen are in Mexico and are from Mexico but Mexico is certainly not limited to it. Well that being all said, I do question why we question who and how people dance. Why are we being so exclusive. Who really cares that West Coast Salsa is different from Cuban, or any other nonsense like that. Anybody can Salsa, just like anybody can dance Rock, or Merengue or anything else. How else is the dance supposed to grow. Like we have never seen a Swing or a Jitterbug step in Salsa. That how it gets started by others contributing uniquely. -- Roman April 4 , 2005 -- North American salsa dancing Vs. Latin American Roman, The fact that you called Cha Cha Cha "Cha Cha" really shows how American you are. Both of the artists, Poncho Sanchez and Carlos Santana are Mexican Americans. Their music is more indicative of American music. R and B, funk, and Rock form formative parts of their music. Sanchez grew up in California, and plays Latin Jazz, which he learned very various Latin and American musicians, none Mexicans. I would call Carlos Santana's music rock or pop, with a sprinkling of Latin music. At any rate, I don't think Carlos Santana's music would be high on any salsero's play list. But most importantly, their music is not the product of Mexico's salsa scene. Poncho Sanchez is unknown to most Mexicans in Mexico, and Carlos Santana become famous in Mexico, because he became famous in the United States. Most Mexicans wouldn't consider their music Mexican, as most salseros wouldn't consider their music salsa. I understand Mexican music is very regional, but I went to the what are considered the hotspot for salsa in Mexico the Carribean coast, Mexico city and the south. I challenge any person to name one great salsa band or one great salsa song that come from Mexico (Not Los Angeles, which by the way are not so good). Most of the good bands in Mexico are made up of Cubans who escaped from Cuba to make a better life. There is not an independent salsa culture apart from the influences that come from the Latin Carribean. Most Mexicans consider salsa and merengue to be Carribean music, different from Mexican music, and many people in Mexico of the upper middle class in Mexico consider Salsa to be low-class or corriente. There is no Mexican style of dancing salsa. The best dancing and bands you have seen are in Mexico? You should get out more. Or being an American are you able to go to Cuba? It is true many Cubans went to Mexico for various political or commerical reasons. But always their music died there always, because even though the total market as you put it might be bigger, then salsa market tended to be smaller. And their music tended to be stagnant, because they left the vibrant salsa scene in Cuba. I agree with you we really shouldn't care where something comes from when we are dancing. I only entered this debate because some people who should have been just enjoying themselves made some false historical and cultural claims. -- Mechy July 11, 2005 -- North American salsa dancing Vs. Latin American Ha, ha, Points well taken, thank you for your corrections. I never said Mexico has a distinct style of salsa dancing or music, just that it has a place in Mexico as you confirmed. I certainly do not know of any Mexican or Mexican-Americans ever claiming to have invented Salsa music and dance. However, I would like all the salseros to know that the word Salsa IS a Mexican word (as in chips and salsa). The mambo crowd in the 70's took our word and applied it to their music and dance to rebrand mambo because it was losing market share. So if people (mostly Americans) confuse Mexican being synonymous with Salsa music that is a result of your own bad marketing. Even Tito Puente did not like the word Salsa. Mechy, I love your passion for Salsa but it may be slightly misguided in 1 respect which appears to be an exclusive blocking of Mexican or Mexican-American salsa. Salsa will never overtake Regional Mexican, Samba, or Tango in marketshare unless Salsa finds a way into Mexico, Brazil, and Argentina. Mexico, Brazil, and Argentina, are the economic, political, cultural, and dominant countries in Latin America, period. The very best way for Salsa to grow is to find a way into these countries. The best way into Mexico is through our very own Mexican-Americans. Try to rediscover music in LA for what it is and not what it should be. What I see in LA is a terrific start and something to build on even if it does not fit what I believe is a narrow view of Salsa. If our Salseros continue to remain exclusive then be content to stay with your 12% marketshare. While Regional Mexican music alone runs away with 55% marketshare. I stress we have to find a way to into Mexico and the best opportunity is through Mexican-Americans. Mechy, I hope I get to meet you some day, I'd love to see you on the dance floor. -- Roman Part 1 - January to June, 2001 Part 2 - July to December, 2001 Part 3 - January to December 2002 Part 4 - January, 2003 Part 5 - February to August, 2003 Part 6 - September, 2003 to Present Dear Readers, if you have any questions or feedback, click here. |